Monday, February 2, 2026

Rest in peace, 회사AUTO.

 



Two days ago, I thought about Sensory Overload, a track Zach and I collaborated on twelve years ago. I'd felt inspired by Afoot by Gang Gang Dance and Lizzi's spoken word style over that song. She had quoted parts of an article that I remember stumbling upon years ago, one that I can't find presently. When Zach sent me Sensory Overload, I was surprised to hear something so outside of his usual output, frenetic and panicked, and I had no fucking clue what to do with it. But then I thought of Afoot and decided I wanted to borrow the concept, choosing to have RoboLux (the voice of my online radio show) quote an article I'd stumbled upon about muzak. I remember the response to the song was polarizing, soooo many confused Soundcloud comments! But I felt proud of it, and thrilled to have stepped outside of the box for a moment. 

I had no idea why I thought of Sensory Overload out of the blue, but now I feel like there may have been good reason. 

I'm thankful for the memories I had with him, laughing and dancing with him and the SPF420 homies in our private Tinychat room, the first time I heard Ηδω (video linked above) and knowing I was hearing a classic, countless park walks listening to his Fortune 500 releases, seeing his FlamingoFest 2 set and meeting his very sweet father. I'm so sorry we didn't talk more that day, Zach. I wish I could have given you one more hug goodbye. 

I feel like the most appropriate way to close this out is with a song you'd submitted for The Music of the Now Age III compilation, a song you called "stardust [in the end, we all die]". I can only hope that, wherever you've traveled off to, that the journey there was as peaceful as this song makes it sound. Goodbye, friend. 



Rest in peace, 회사AUTO.

  Two days ago, I thought about  Sensory Overload , a track Zach and I collaborated on twelve years ago. I'd felt inspired by  Afoot by ...